On Saturday, September 2, 2023, I had the privilege of attending the private view of Gerald Chukwuma’s latest exhibition, Homeostasis,at the Kristin Hjellegjerde Gallery in London.
Chukwuma, one of Nigeria’s most compelling contemporary artists, is renowned for his intricate wood-slate sculptures, but this exhibition marked a distinct evolution in his artistic journey.
Chukwuma’s work reflects the broader evolution of African art, which is increasingly recognized on the global stage. African artists are breaking traditional boundaries, blending cultural heritage with contemporary issues to create works that resonate worldwide.
Artists like El Anatsui, Yinka Shonibare, and Wangechi Mutu are thriving in the diaspora, contributing to a dynamic and diverse African art scene that is gaining momentum in major art capitals.
As I walked through the gallery, I was immediately struck by the elongated figures, animals, and geometric patterns that seemed to dance across the wood panels. Chukwuma’s unique method of burning, chiseling, and painting created a series of textured maps that were not only visually arresting but also deeply resonant with personal and political narratives.
His work, like that of other African artists in the diaspora, challenges and redefines the narrative of African art, blending traditional techniques with modern themes.
This new body of work emerged from a period of personal transformation for Chukwuma. Following a challenging time, he found solace in the concept of homeostasis—a state of equilibrium that living organisms achieve to maintain internal stability despite external changes.
This idea became a profound influence on his art, leading to a more abstract, fluid style. The monochromatic palette and interconnected motifs in *Homeostasis* reflected Chukwuma’s quest for inner peace and his exploration of art’s therapeutic potential.
Each piece in the exhibition felt like a fragment of a larger, evolving vision. To Rule the Day… To Rule the Night captured a journey from light to dark, with spectral figures swirling beneath a cosmic expanse.
Earth Bring Forth! was alive with ancient creatures and jungle-like patterns, bursting with green vitality. Meanwhile, And the Light Appeared shattered the horizontal format with a jagged shard, drawing the eye into a vortex of color and movement.
Chukwuma described his work as a response to the struggles of the world, aiming to create art that alleviates stress and brings beauty and peace into the world.
This sentiment was palpable throughout the exhibition, as each piece invited reflection and conversation about how we perceive and navigate the world around us.
His work stands as a testament to the ongoing evolution of African art, merging cultural depth with contemporary relevance.
